You who dwell in the gardens
This phrase evokes the image of a beloved who resides in a place of beauty and fertility. The Hebrew word for "dwell" (יֹשֶׁבֶת, yoshevet) suggests a sense of permanence and intimacy. In the context of the Song of Solomon, the "gardens" symbolize a place of love and delight, possibly reflecting the intimate relationship between the lovers. Spiritually, this can be seen as a metaphor for the believer's life in Christ, where one is called to dwell in the richness of God's presence and love.

my companions are listening for your voice
Here, the "companions" could represent friends or attendants who are eager to hear the voice of the beloved. The Hebrew word for "companions" (חֲבֵרִים, chaverim) implies a close association or fellowship. This can be interpreted as the community of believers who are attentive to the expressions of love and wisdom from one another. The "voice" is significant in biblical literature, often representing authority, presence, and revelation. In a spiritual sense, this can be seen as the call for believers to share their testimony and the truth of God's word with others.

let me hear it
This plea is a personal and intimate request from the speaker, desiring to hear the voice of the beloved. The Hebrew root for "hear" (שָׁמַע, shama) carries the connotation of listening with attention and obedience. In the context of the Song of Solomon, it reflects the deep longing for communication and connection. From a spiritual perspective, this can be seen as the believer's desire to hear God's voice, to be guided and comforted by His words. It emphasizes the importance of a personal relationship with God, where one actively seeks His presence and guidance.

(13) Thou that dwellest.--In Song of Solomon 8:13 we have another brief reminiscence of the early days of courtship, when the lover envied every one near the maiden, the companions who could see and hear her, and sighed for tokens of affection which she lavished on them.

Verse 13. - Thou that dwellest in the gardens, the companions hearken for thy voice; cause me to hear it. There cannot be much doubt that these are the words of the bridegroom. They are addressed to the bride. She is the dweller in the gardens; that is, one who is at home in the gardens, whose beauty blends with the rural loveliness around her. The king wishes his bride to understand that she is only acceptable in his sight, and that all that she asks shall be granted. It is delightful to him to hear her voice, as it is delightful to those who have been accustomed to that voice from her childhood. "Dear country girl, sing to me, and let me revel in the sweetness of thy music. 'Thy companions hearken for it' - thy former associates, the playmates of thy youth. And while they gather round us, and you and I rejoice in one another, let the sound of thy voice mingle with the peaceful beauty of this earthly paradise." There is an exquisite tenderness in this conclusion of the poem. The curtain falls, as it were, upon a scene of mutual confidence and affection, the simplicity of the bride's early home being lifted up into the royal splendour of the king's presence, the companions beholding and praising, while, in the midst of all that sunny bliss and peaceful content, the voice of the Bride is heard singing one of the old, familiar strains of love with which she poured out her heart in the days when her beloved came to find her in her home. It is impossible to conceive a more perfect conclusion. It leads up our thoughts to the laud of light and song, where "the Lamb which is in the midst of the throne shall be the Shepherd" of those who shall "hunger no more, neither thirst any more; neither shall the sun strike upon them, nor any heat;" "and he shall guide them unto fountains of waters of life: and God shall wipe away every tear from their eyes" (Revelation 7:16, 17). It is sad to think that Solomon himself fell from such an ideal of human affection, and was unfaithful to such a bride. But there is no need to trouble the clear, transparent beauty of this typical poem by any reference to the incidents of the writer's own history. He placed it on the altar of God, no doubt, at a time when it represented sincere feelings in his heart, and because he was inspired to see that it would be profitable to the people of God as a mirror in which they could behold the reflection of the highest truth. But though he himself fell away from his high place as a prophet of God, the words which he left behind him were still a precious gift to the Church. It is otherwise with him who is typified by the earthly monarch. He who is the heavenly Bridegroom has himself to lift up the weakness and fickleness of his bride by fellowship with her, until she is above the reach of temptation, and partaker of his own glory. And he does so, as this exquisite poem reminds us, by the power of his love. It is the personal influence of the Lord Jesus Christ which must glorify the Church and restore it to its original simplicity and spirituality. The scene into which we are led in this story of bridal affection typifies a state of the Church when the artificiality of court life shall be abandoned, the magnificence of mere external pomp and ritual shall be left behind, and the bride shall simply delight herself in the Bridegroom among the pure and peaceful surroundings of a country home. The Church will realize the greatness of her power when she is delivered from that which hides her Saviour, when she is simply human and yet entirely spiritual; then the Lord of her life, the second Adam, the perfect Man, who is from heaven and in heaven, but still on earth, changing earth to heaven by his love, will fulfil his promise. "He not merely concludes the marriage covenant with mankind, but likewise preserves, confirms, refines, and conducts it step by step to its ideal consummation, which is at the same time the palingenesia and perfection of humanity."

Parallel Commentaries ...


You who dwell
הַיוֹשֶׁ֣בֶת‪‬‪‬ (hay·yō·wō·še·ḇeṯ)
Article | Verb - Qal - Participle - feminine singular
Strong's 3427: To sit down, to dwell, to remain, to settle, to marry

in the gardens,
בַּגַּנִּ֗ים (bag·gan·nîm)
Preposition-b, Article | Noun - common plural
Strong's 1588: An enclosure, garden

[my] companions
חֲבֵרִ֛ים (ḥă·ḇê·rîm)
Noun - masculine plural
Strong's 2270: United, associate, companion

are listening
מַקְשִׁיבִ֥ים (maq·šî·ḇîm)
Verb - Hifil - Participle - masculine plural
Strong's 7181: To prick up the ears, hearken

for your voice.
לְקוֹלֵ֖ךְ (lə·qō·w·lêḵ)
Preposition-l | Noun - masculine singular construct | second person feminine singular
Strong's 6963: A voice, sound

Let me hear it!
הַשְׁמִיעִֽינִי׃ (haš·mî·‘î·nî)
Verb - Hifil - Imperative - feminine singular | first person common singular
Strong's 8085: To hear intelligently


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OT Poetry: Song of Solomon 8:13 You who dwell in the gardens (Song Songs SS So Can)