Song of Solomon 8:13

Thou that dwellest in the gardens, the companions hearken to thy voice: cause me to hear it.

EXPOSITORY (ENGLISH BIBLE)

Ellicott's Commentary for English Readers

(13) Thou that dwellest.—In Song of Solomon 8:13 we have another brief reminiscence of the early days of courtship, when the lover envied every one near the maiden, the companions who could see and hear her, and sighed for tokens of affection which she lavished on them.

Benson Commentary

Song of Solomon 8:13. Thou that dwellest — The word היושׁבתthus rendered, is in the feminine gender, which plainly shows that Christ speaks here to his spouse, being about to depart from her for a season, as the next verse shows; in the gardens — Not in the wilderness of the world, for believers are called out of the world, (John 15:19,) but in the church, the garden of God, which God hath fenced and appropriated to himself. He saith, gardens, because of the many particular congregations into which the church is divided. The companions — The friends of the bride and bridegroom; hearken to thy voice — Diligently observe all thy words, and thy whole conduct toward me, and all the transactions between thee and me. Cause me to hear thy voice — When I am gone from thee, let me hear thy prayers and praises, and the preaching of my gospel in the world.

Matthew Henry's Concise Commentary

8:13,14 These verses close the conference between Christ and his church. He first addresses her as dwelling in the gardens, the assemblies and ordinances of his saints. He exhorts her to be constant and frequent in prayers, supplications, and praises, in which he delights. She replies, craving his speedy return to take her to be wholly with Him. The heavens, those high mountains of sweet spices, must contain Christ, till the times come, when every eye shall see him, in all the glory of the better world. True believers as they are looking for, so they are hastening to the coming of that day of the Lord. Let every Christian endeavour to perform the duties of his station, that men may see his good works, and glorify his heavenly Father. Continuing earnest in prayer for what we want, our thanksgivings will abound, and our joy will be full; our souls will be enriched, and our labours prospered. We shall be enabled to look forward to death and judgment without fear. Even so, come, Lord Jesus.

Barnes' Notes on the Bible

The poem having opened with the song of a chorus in praise of the king Sol 1:2-4, concludes with a versicle recited by the bride, repeating the last words of her former strain Sol 2:17, with one significant change. She no longer thinks of the possibility of separation. The "Mountains of Bether" (division) of Sol 2:17, are now "Mountains of Besamim" (spices). His haunts and hers are henceforth the same (compare Sol 4:6).

Jamieson-Fausset-Brown Bible Commentary

13. Jesus Christ's address to her; now no longer visibly present. Once she "had not kept" her vineyard (So 1:6); now she "dwells" in it, not as its owner, but its superintendent under Jesus Christ, with vinedressers ("companions"), for example, Paul, &c. (Ac 15:25, 26), under her (So 8:11, 12); these ought to obey her when she obeys Jesus Christ. Her voice in prayer and praise is to be heard continually by Jesus Christ, if her voice before men is to be effective (So 2:14, end; Ac 6:4; 13:2, 3).

Matthew Poole's Commentary

Thou that dwellest: the Hebrew word is of the feminine gender, which plainly showeth that Christ speaks hero to his spouse, being about to depart from her for a season, as the next verse showorb.

In the gardens; not in the wilderness of the world, for believers are chosen or called out of the world, John 15:19; but in the church, the garden of God, which God hath fenced and appropriated to himself. He saith gardens, because of the many particular congregations into which the church is divided.

The companions, the friends of the bride and Bridegroom,

hearken to thy voice; diligently observe all thy words and carriages towards me, and all the transactions between thee and me.

Cause me to hear it; when I am gone from thee, let me hear thy prayers, and praises, and the preaching of my gospel in the world.

Gill's Exposition of the Entire Bible

Thou that dwellest in the gardens,.... These are the words of Christ to the church, describing her by her habitation, and may be rendered, "O thou, inhabitress of the gardens" (i); the word used being in the feminine gender, which determines the sense of it, as belonging to the church: but the Septuagint version renders it by a word in the masculine gender; and so Ambrose (k), who interprets the words as spoken by the church to Christ; though he observes that Symmachus and Aquila interpret them as the words of Christ to the church. By the "gardens" are meant particular congregations, the dwelling places of the church, and where she has work to do by her ministers, to plant, water, prune, and dress the gardens; and of particular believers, whose business it is to attend on the ministry of the word, and other ordinances; and dwelling here may denote diligence and constant attendance here, and which is approved of by Christ, and well pleasing to him: and it is honourable, as well as profitable and delightful, to have a place in these gardens, and especially an abiding one; and indeed those, to whom Christ gives a place and a name here, are in no danger of being turned or driven out, as Adam was from Eden;

the companions hearken to thy voice; meaning either the divine Persons, the Father and the Holy Ghost, as Piscator; the companions of Christ, of the same nature, perfections, and glory with him; who listen to what the church and true believers say to them and to one another, Malachi 3:16; or the angels, as Jarchi and Aben Ezra, the friends of Christ and his people, who hearken to the conversation of believers, in private and public; and especially to the Gospel, preached in the assembly of the saints, Ephesians 3:10; or rather the daughters of Jerusalem, who all along attend the bride in this Song, and are the virgins her companions, Psalm 45:14; and it is a title that belongs to all truly gracious souls, Psalm 122:8; who hearken to the voice of the church, to the Gospel, preached by her ministers; which is a joyful sound, and gives great delight and pleasure;

cause me to hear it; that is, her voice; so sweet and charming to him, as in Sol 2:14; her voice in prayer and praise; in speaking of him, his person, offices, and grace, to others, and confessing his name before men. Some render the words, "preach me" (l); and then the sense is, seeing the companions flock unto thee, and listen with great attention and pleasure to thy voice, take the opportunity of preaching me unto them; let my person, righteousness, and grace, be the subject of thy ministry: and which was done in the first times of the Gospel, by the apostles; has been, more or less, ever since, by faithful ministers; and will be continued until the second coming of Christ, prayed for in Sol 8:14.

(i) "quae habitas", V. L. Pagninus, Brightman, Junius & Tremellius, Piscator, Mercerus, Michaelis; "quae sedes", Cocceius. (k) Enarrat. in Psal. lxxii. octon. 22. p. 1068. (l) "in praedica me", Junius & Tremellius.

Geneva Study Bible

Thou that dwellest in the {i} gardens, the companions hearken to thy voice: cause me to hear it.

(i) Christ dwells in his Church, whose voice the faithful hear.

EXEGETICAL (ORIGINAL LANGUAGES)

Cambridge Bible for Schools and Colleges

13. Here the bridegroom calls upon the Shulammite to let his companions, i.e. his friends who have come to congratulate him on his bride’s safe return, hear her voice.

Thou that dwellest in the gardens] She must be supposed to have gone into the garden. That was her chosen spot formerly, and it has become so again. Grätz would read, and probably rightly, instead of chabçrîm, chabçraî = ‘my companions.’ The absence of the article is anomalous with the former, while the m might easily arise from a doubling of the initial m of the next word.

hearken to thy voice] Rather, as R.V., for thy voice.

Pulpit Commentary

Verse 13. - Thou that dwellest in the gardens, the companions hearken for thy voice; cause me to hear it. There cannot be much doubt that these are the words of the bridegroom. They are addressed to the bride. She is the dweller in the gardens; that is, one who is at home in the gardens, whose beauty blends with the rural loveliness around her. The king wishes his bride to understand that she is only acceptable in his sight, and that all that she asks shall be granted. It is delightful to him to hear her voice, as it is delightful to those who have been accustomed to that voice from her childhood. "Dear country girl, sing to me, and let me revel in the sweetness of thy music. 'Thy companions hearken for it' - thy former associates, the playmates of thy youth. And while they gather round us, and you and I rejoice in one another, let the sound of thy voice mingle with the peaceful beauty of this earthly paradise." There is an exquisite tenderness in this conclusion of the poem. The curtain falls, as it were, upon a scene of mutual confidence and affection, the simplicity of the bride's early home being lifted up into the royal splendour of the king's presence, the companions beholding and praising, while, in the midst of all that sunny bliss and peaceful content, the voice of the Bride is heard singing one of the old, familiar strains of love with which she poured out her heart in the days when her beloved came to find her in her home. It is impossible to conceive a more perfect conclusion. It leads up our thoughts to the laud of light and song, where "the Lamb which is in the midst of the throne shall be the Shepherd" of those who shall "hunger no more, neither thirst any more; neither shall the sun strike upon them, nor any heat;" "and he shall guide them unto fountains of waters of life: and God shall wipe away every tear from their eyes" (Revelation 7:16, 17). It is sad to think that Solomon himself fell from such an ideal of human affection, and was unfaithful to such a bride. But there is no need to trouble the clear, transparent beauty of this typical poem by any reference to the incidents of the writer's own history. He placed it on the altar of God, no doubt, at a time when it represented sincere feelings in his heart, and because he was inspired to see that it would be profitable to the people of God as a mirror in which they could behold the reflection of the highest truth. But though he himself fell away from his high place as a prophet of God, the words which he left behind him were still a precious gift to the Church. It is otherwise with him who is typified by the earthly monarch. He who is the heavenly Bridegroom has himself to lift up the weakness and fickleness of his bride by fellowship with her, until she is above the reach of temptation, and partaker of his own glory. And he does so, as this exquisite poem reminds us, by the power of his love. It is the personal influence of the Lord Jesus Christ which must glorify the Church and restore it to its original simplicity and spirituality. The scene into which we are led in this story of bridal affection typifies a state of the Church when the artificiality of court life shall be abandoned, the magnificence of mere external pomp and ritual shall be left behind, and the bride shall simply delight herself in the Bridegroom among the pure and peaceful surroundings of a country home. The Church will realize the greatness of her power when she is delivered from that which hides her Saviour, when she is simply human and yet entirely spiritual; then the Lord of her life, the second Adam, the perfect Man, who is from heaven and in heaven, but still on earth, changing earth to heaven by his love, will fulfil his promise. "He not merely concludes the marriage covenant with mankind, but likewise preserves, confirms, refines, and conducts it step by step to its ideal consummation, which is at the same time the palingenesia and perfection of humanity." Song of Solomon 8:13

Keil and Delitzsch Biblical Commentary on the Old Testament

The king who seems to this point to have silently looked on in inmost sympathy, now, on being addressed by Shulamith, takes speech in hand; he does not expressly refer to her request, but one perceives from his words that he heard it with pleasure. He expresses to her the wish that she would gratify the companions of her youth who were assembled around her, as well as himself, with a song, such as in former times she was wont to sing in these mountains and valleys.

13 O thou (who art) at home in the gardens,

     Companions are listening for thy voice;

     Let me hear!

We observe that in the rural paradise with which she is surrounded, she finds herself in her element. It is a primary feature of her character which herein comes to view: her longing after quietness and peace, her love for collectedness of mind and for contemplation; her delight in thoughts of the Creator suggested by the vegetable world, and particularly by the manifold soft beauty of flowers; she is again once more in the gardens of her home, but the address, "O thou at home in the gardens!" denotes that wherever she is, these gardens are her home as a fundamental feature of her nature. The חברים are not Solomon's companions, for she has come hither with Solomon alone, leaning on his arm. Also it is indicated in the expression: "are listening for thy voice," that they are such as have not for a long time heard the dear voice which was wont to cheer their hearts. The חבר are the companions of the former shepherdess and keeper of a vineyard, Sol 1:6 f., the playmates of her youth, the friends of her home. With a fine tact the poet does not represent Solomon as saying חבריך nor חברינוּ: the former would be contrary to the closeness of his relation to Shulamith, the latter contrary to the dignity of the king. By חברים there is neither expressed a one-sided reference, nor is a double-sided excluded. That "for thy voice" refers not to her voice as speaking, but as the old good friends wish, as singing, is evident from השׁמיעני in connection with Sol 2:14, where also קולך is to be supplied, and the voice of song is meant. She complies with the request, and thus begins: