Psalm 89:10

Thou hast broken Rahab in pieces, as one that is slain; thou hast scattered thine enemies with thy strong arm.

EXPOSITORY (ENGLISH BIBLE)

Ellicott's Commentary for English Readers

(10) Rahab.—See Note, Psalm 87:4. The mention of the sea has carried the poet’s thoughts to the Red Sea and the deliverance from Egypt, which is represented as some huge monster conquered and crushed.

Matthew Henry's Concise Commentary

89:5-14 The more God's works are known, the more they are admired. And to praise the Lord, is to acknowledge him to be such a one that there is none like him. Surely then we should feel and express reverence when we worship God. But how little of this appears in our congregations, and how much cause have we to humble ourselves on this account! That almighty power which smote Egypt, will scatter the enemies of the church, while all who trust in God's mercy will rejoice in his name; for mercy and truth direct all he does. His counsels from eternity, and their consequences to eternity, are all justice and judgment.

Barnes' Notes on the Bible

Thou hast broken Rahab in pieces - Margin, "Egypt." See the notes at Psalm 87:4. The reference is to the exodus of the Hebrew people, when he destroyed the power of Egypt.

As one that is slain - Slain on the field of battle; as a man pierced through with a sword or spear.

Thou hast scattered thine enemies - At the time referred to, in Egypt; and at other times, when the enemies of God and of his people had been discomfited.

With thy strong arm - Margin, as in Hebrew, the arm of thy strength. That is, by his power - the arm being the symbol of power. See the notes at Psalm 77:15. Compare Deuteronomy 5:15; Deuteronomy 7:8, Deuteronomy 7:19, et al.

And the same feelings were evinced by Hezekiah, the pious king of Israel:

For Sheol cannot praise thee;

Death cannot celebrate thee;

They that go down into the pit cannot hope for thy truth.

The living, the living, he shall praise thee, as I do this day;

The father to the children shall make known thy faithfulness.

Jamieson-Fausset-Brown Bible Commentary

8-14. To illustrate His power and faithfulness examples are cited from history. His control of the sea (the most mighty and unstable object in nature), and of Egypt (Ps 87:4), the first great foe of Israel (subjected to utter helplessness from pride and insolence), are specimens. At the same time, the whole frame of nature founded and sustained by Him, Tabor and Hermon for "east and west," and "north and south," together representing the whole world, declare the same truth as to His attributes.

Matthew Poole's Commentary

Rahab; Egypt, as Psalm 87:4. As one that is slain; thou didst wound them not slightly, but unto death. See Exodus 14:15.

Gill's Exposition of the Entire Bible

Thou hast broken Rahab in pieces, as one that is slain,.... Or Egypt, as in Psalm 87:4 or the Egyptians, and particularly Pharaoh their king; so the Targum explains it,

"Rahab or the proud one, this is Pharaoh the wicked;''

who and his people were broken to pieces by the plagues that were brought upon them, especially when all their firstborn were slain; and he and his host were broke in pieces at the Red sea, and were seen by the Israelites on the shore, all dead men; and this was done as easily by the Lord, as one slain with the sword, as a dead carcass which has no life, power, and strength to defend itself, may be trampled upon, crushed, bruised, and broken to pieces, by a living man. All this may be an emblem of the Lord's breaking in pieces the proud and insolent one Satan, as Rahab signifies; of his breaking his head, destroying his works, and spoiling his principalities and powers; and indeed of his destruction of every proud and haughty sinner, that says, Pharaoh like, who is the Lord, that I should obey him? and of every vain boaster, and self-righteous person, that trusts in his own righteousness, and will not submit to the righteousness of Christ; and particularly of mystical Egypt, the proud beast of Rome, antichrist, who sits in the temple of God as if he was God, showing himself to be so, blaspheming God, his name, his tabernacle, and his saints; who will be broken to shivers as a potter's vessel, when the vials of God's wrath are poured out, and at and by the coming of Christ:

thou hast scattered thine enemies with thy strong arm; as the Egyptians were in the Red sea, by the waves of it, and cast upon the shore by them; and as the Amorites were by Moses, and the Canaanites by Joshua; which instances may be here referred unto; see Numbers 10:35 these are further proofs of the power and strength of the Lord, Job 40:9.

Geneva Study Bible

Thou hast broken Rahab in pieces, as one that is slain; thou hast scattered thine enemies with thy strong arm.

EXEGETICAL (ORIGINAL LANGUAGES)

Pulpit Commentary

Verse 10. - Thou hast broken Rahab in pieces; or, "thou didst break" once upon a time, i.e. at the Exodus. (For the designation of Egypt under the term "Rahab," i.e. "arrogant," see Job 9:13; Job 26:12; Psalm 87:4; Isaiah 51:9.) As one that is slain; i.e. completely, utterly. Thou hast scattered thine enemies with thy strong arm (see Exodus 14:27-31; Exodus 15:6). Psalm 89:10

Keil and Delitzsch Biblical Commentary on the Old Testament

At the time of the poet the nation of the house of David was threatened with assault from violent foes; and this fact gives occasion for this picture of God's power in the kingdom of nature. He who rules the raging of the sea, also rules the raging of the sea of the peoples, Psalm 65:8. גּאוּת, a proud rising, here of the sea, like גּאוה in Psalm 46:4. Instead of בּשׂוע, Hitzig pleasantly enough reads בּשׁוא equals בּשׁאו from שׁאה; but שׂוא is also possible so far as language is concerned, either as an infinitive equals נשׂוא, Psalm 28:2; Isaiah 1:14 (instead of שׂאת), or as an infinitival noun, like שׂיא, loftiness, Job 20:6, with a likewise rejected Nun. The formation of the clause favours our taking it as a verb: when its waves rise, Thou stillest them. From the natural sea the poet comes to the sea of the peoples; and in the doings of God at the Red Sea a miraculous subjugation of both seas took place at one and the same time. It is clear from Psalm 74:13-17; Isaiah 51:9, that Egypt is to be understood by Rahab in this passage as in Psalm 87:4. The word signifies first of all impetuosity, violence, then a monster, like "the wild beast of the reed," Psalm 68:31, i.e., the leviathan or the dragon. דּכּאת is conjugated after the manner of the Lamed He verbs, as in Psalm 44:20. כּחלל is to be understood as describing the event or issue (vid., Psalm 18:43): so that in its fall the proudly defiant kingdom is like one fatally smitten. Thereupon in Psalm 89:12-15 again follows in the same co-ordination first the praise of God drawn from nature, then from history. Jahve's are the heavens and the earth. He is the Creator, and for that very reason the absolute owner, of both. The north and the right hand, i.e., the south, represent the earth in its entire compass from one region of the heavens to the other. Tabor on this side of the Jordan represents the west (cf. Hosea 5:1), and Hermon opposite the east of the Holy Land. Both exult by reason of the name of God; by their fresh, cheerful look they give the impression of joy at the glorious revelation of the divine creative might manifest in themselves. In Psalm 89:14 the praise again enters upon the province of history. "An arm with (עם) heroic strength," says the poet, inasmuch as he distinguishes between the attribute inherent in God and the medium of its manifestation in history. His throne has as its מכון, i.e., its immovable foundation (Proverbs 16:12; Proverbs 25:5), righteousness of action and right, by which all action is regulated, and which is unceasingly realized by means of the action. And mercy and truth wait upon Him. קדּם פּני is not; to go before any one (הלּך לפני, Psalm 85:14), but anticipatingly to present one's self to any one, Psalm 88:14; Psalm 95:2; Micah 6:6. Mercy and truth, these two genii of sacred history (Psalm 43:3), stand before His face like waiting servants watching upon His nod.