Ascribe to the LORD, O families of the nations, ascribe to the LORD glory and strength. Sermons
I. THEY ARE THE DISTINGUISHING MARKS OF ALL GOD'S WORKS. "Jehovah made the heavens" - so we read in ver. 5; and assuredly they are seen there. And look where we will, it is the same. See the account of the Creation. II. THEE SHOULD BE IN OUR SANCTUARIES TODAY. It is a public dishonouring of God if men are content that the sanctuaries in which they worship should be mean and ill-appointed, as so many of them are, whilst in their own houses no costly expense is spared and no adornment withheld (see Haggai 1:4). On the other hand, the magnificent churches, minsters, abbeys, which still remain in this and other lands, have throughout all the long centuries since they were built borne silent but eloquent testimony to the reverence, love, and devotion towards God which dwelt in the hearts of their builders, and which it was their profound conviction ought to dwell in the hearts of all. Meanness and miserable selfishness often skulk behind the plea of spirituality of worship, and that the heart is all that God desires. III. THEY ARE ESSENTIAL TO THE WELFARE OF ANY CHURCH. 1. Strength must be there. Not necessarily the strength of wealth, or intellect, or social rank, but spiritual strength - that strength which springs from a firm and living faith universally and tenaciously held, manifesting itself in conscientious adherence to the truth and unsullied righteousness of life, and nourished by fervent prayer and diligent use of all the means of grace. If such strength be wanting, then the glory of that Church has departed, and her decay and dissolution and degradation are at hand. Ecclesiastical organization and money and property may keep up the scaffolding and outworks of such Church for a while, but ere long they too will fail, and the Church must die. But with such spiritual strength, the gates of hell cannot prevail against it. 2. And there must be beauty also. "The beauty of holiness," in which we are bidden "worship the Lord" (ver. 9). By this we understand that moral and spiritual beauty, such as were pre-eminent in our Lord; that winsomeness and grace, that attractiveness of love and pity and compassionate helpfulness, that beautiful grace of which St. Paul in 1 Corinthians 13. has so much to say, that sweet reasonableness and evident sincerity, and that holy peace and joy which union with Christ imparts, - such is the beauty, the only real beauty, which should be in the Church of the living God. IV. AND THEY SHOULD CHARACTERIZE THE TEMPLE OF THE SOUL. 1. Strength born of faith and love, which holds the soul true to Christ and causes it to be rooted like the oak, and grounded like the deep foundations of a temple, so that it can never be moved. 2. Then beauty. The superstructure, fair in form and symmetrical, that arrests the attention and awakens the delight of the beholder - that holy beauty of Christ-like character, which, with strength also, he is waiting and willing to impart to every faithful soul. - S.C.
Strength and beauty are in His sanctuary. Christianity alone has combined the two ideals of the world. Strength and beauty are diverse, but not contradictory. Yet we seldom find them united in the national ideals of ancient or modern times. "Thy sons, O Zion!" cried one of the Hebrew prophets, "against thy sons, O Greece" — the nation which stood for moral strength inexorably opposed to the nation whose ruling passion was beauty. To the Hebrew beauty was a secondary and an inconsiderable ideal compared with the strength of moral restraint and attainment. Strength was for men, and beauty perhaps was good enough for women. But the point of our text is that it combines strength and beauty into one harmony of character, which both men and women should seek to acquire."Not like to like, but like in difference — Yet in the long years liker must they grow; The man be more of woman, she of man; He gain in sweetness and in moral height, Nor lose the wrestling thews that throw the world; The mental breadth, nor fail in childward care, Nor lose the childlike in the larger mind."Aaron's rod was the symbol of authority, the strength of the High Priest's office, but Aaron's rod it was that budded, and there you have the beauty. Our text, then, points out that there is no character complete which does not possess both strength and beauty. But, more than that, it shows that true strength and beauty are found only in God's sanctuary — that is, in genuine relationship with God. A very little thought will suffice to satisfy us how closely this corresponds with the facts. For if there is anything which our experience makes clear, it is this: that sin's tendency is to weaken, to soften the moral fibre of our natures, and to throw us open to the germs of all spiritual diseases. You all know how sins of sensuality bring their terrible revenge upon the body, and how nature exacts the uttermost farthing. In precisely similar fashion the soul is weakened by the transgression of the laws of moral and spiritual health. To commit any sin is to make oneself less able to resist it in the future. One falsehood leads almost necessarily to more. Where is the boasted strength and liberty of the sinner? Liberty to destroy oneself? Strength enough to take away by an act of moral suicide one's spiritual life? Yes, but no strength to live purely and nobly, no power to aspire, no courage to battle with the incursions of evil; is it not a mockery to say that there is strength in the pursuit of sin? Strength is in God's sanctuary, for He alone enables men to trample under foot the weakening influences of sin through the grace of our Lord Jesus Christ. What, then, are the nature and value of that strength which is to be found in Christ? What end does it serve and to what attainment does it lead? For one thing, it enables a man to cleave fast to the highest that he knows though all the world deride. No one can doubt how tremendous is the pressure of public opinion in these days, and how strong (one might almost say obstinate) a man must be who is to set himself to resist it. We talk of the pressure of the atmosphere upon the human body, and no doubt it is vast; buy we do not feel it because our frame has been made equal to the strain. For our moral frame, however, we must win the protecting armour of God's grace, and until we are safely clad in it, the pressure is grievous to be borne. In every line of life there are practices which have grown common and are sanctioned by custom, yet your conscience tells you they are wrong. "I do not think," said President Garfield, "what others may think or say concerning me, but there is one man's opinion concerning me which I very much value, that is the opinion of James Garfield; others I need not think about. I can get away from them, but I have to be with him all the time... It makes a great difference whether he thinks well of me or not." These are noble words, and they show us the sort of strength we need — strength to be faithful to what we know as the best and highest that a man can set up within his soul. From that tribunal we may not escape judgment, and if we are acquitted there our hearts are at peace. The same thing is true of all manner of temptation. We do not escape the snares of the tempter by running away. To these we must offer a constant and pitiless antagonism. There is an old tower on the Continent where in one of the dungeons the walls have graven upon them again and again the word "Resist." It is said a Protestant woman was kept in those dark recesses for forty years, and all the time she spent in graving with a piece of iron for all who might come after her that solemn and courageous word. Oh! we need it graven upon our hearts. Strength is in God's sanctuary — strength for bestowal — and you may have it if you will reach forth your hand. It is useless to say, "Be strong," but it is wisdom to say, "Be strong in the Lord." And then we should seek strength for the sake of others, so as to impart to them help and encouragement. "Briefly," says Ruskin, "the constant duty of every man to his fellows is to ascertain his own powers and special gifts, and to strengthen them for the help of others." Our moral strength also is not for ourselves alone. It is intended that by example of words and deeds, by patient endurance and active courage, we should inspire our fellows and make them also strong. The greater your spiritual strength in face of temptation, the braver your courage against all foes of the soul, the more you will help your fellow men to subdue their enemies and to go on from strength to strength. But a character which has strength alone without beauty lacks the perfect round of the Christian ideal. If we would see an instance of such defective character, let us think of the Puritans, who three centuries ago in England stood for righteousness and integrity and the fear of God. But there was little in their lives which could be termed the "beauty of holiness." They were upright and they were true; but they had trained themselves to a stern, hard, rugged strength, without polish, without beauty, and without the adornment (though doubtless not without the reality) of love. We see in them the need of those softer and more attractive virtues which fill in the stature of the perfect man. Not only strength, but beauty, is to be found in God's sanctuary. Nor can true beauty be won save in Him. Just as sin is weakness, so sin is ugliness. It does not always seem so. The siren voices are sweet and their song is fairest music. The form of sin is often beautiful to the eye, and men long to embrace it. But when the sinner clutches it, the lovely form changes to a hideous skeleton that grins and chatters in his face. As George Eliot says of one among her gallery of human characters: "He had no idea of a moral repulsion, and could not have believed, if he had been told it, that there may be a resentment and disgust which will gradually make beauty more detestable than ugliness, through exasperation at that outward virtue in which hateful things can flaunt themselves or find a supercilious advantage." Yes, brethren, beauty in its essence is the form of the true and the good, and there is no beauty without goodness. It is a false antagonism to say that one seeks the beautiful rather than the good. There is nothing really beautiful except what is good. "The true beautiful," says a modern prophet, "differs from the false as heaven does from Vauxhall." Let us, then, get rid of the notion that beauty is not to be sought. Every fresh soul that enters the world instinctively claims a share of the light and joy which this world's beauty brings; and God forbid that Christians should shut the door upon the beautiful. "The instinct," says some one, with truth, "even in its lowest forms, is divine. It is the commentary on the text that man shall not live by bread alone." And so far is Christianity from excluding the beautiful from its scheme that it actually recommends the softer and more attractive virtues as no other religion has done. The highest type of Christian character is the most truly beautiful this world has seen. We cannot hear of self-renunciation, or forgiveness, or kindness, or gracious love without exclaiming, How beautiful! And these are the graces which Christ bestows. Strength and beauty, then, make up the perfect character. But where do we find them perfectly combined? Nowhere, save in Jesus Christ. In what wonderful harmony they are blended there! How constantly in His life do we see strength and beauty, in perfect balance and poise, shining forth from His acts and words! In the garden of agony, faced by cruel and murderous men, He stands erect, calmly repeating to His enemies, "I have told you that I am He" — there is strength; but mark the tender beauty of what follows: "If ye seek Me, let these go their way" — solicitude for His faint-hearted followers mingling with His fortitude. As one has truly said: "The eyes that wept beside the grave of Lazarus were eyes that were like a flame of fire." And so Christian character holds the field, combining the two necessary elements of strength and beauty. That is why Christ appeals to men as well as women. And that is why we cannot but deplore the folly which keeps so many men aloof from active profession of the faith of Christ, because, forsooth, they count it an unmanly thing. Oh! brethren, there is strength as well as beauty in the service of Christ, and nowhere else can you find strength worthy of the name. There is beauty as well as strength, and nowhere else can you find beauty that will last and increase as the years go by. Strength and beauty are in God's sanctuary; and the sanctuary is the holy place — the place where God and man come nigh, where God's cleansing and strengthening flow down to men, and where man's service is rendered up to God. (J. Waddell, B.A.) II. TRUE OF THE HEBREW SANCTUARIES. In the tabernacle were stout poles and coverings of skin for strength, and finely spun, delicately woven embroidery for beauty. In the temple, what massive and majestic stone for strength! what gleaming of precious and wondrous tapestry for beauty! There were in those sacred structures not only richest harmonies for the ear, but beauties for the eye as well, that so all nature should be toned and tuned to good impressions. III. TRUE OF CHRISTIAN WORSHIP. There may well be Puritan earnestness of spirit, distinctiveness of doctrine, directness of rebuke, fixedness of faith, and at the same time aesthetic refinement of demeanour and tone and thought. Does not " worship in the beauty of holiness " involve obedience to the precept, "Let all things be done decently and in order"? IV. TRUE OF CHRISTIAN CHARACTER. That is the most perfect sphere of Divine worship; for to Christly men it is infallibly said, "Ye are the temple of the Holy Ghost." There must be in such character "virtue," the strength of manliness. By which is surely meant honesty, truth, courage, fidelity. But what does St. Peter teach us is to be added to virtue? Clearly, all moral beauty. Our character is to be a sanctuary with solid foundations, but adorned with finely wrought gold; our work is to be a war, but with chivalry. (U. R. Thomas.) I. THE STRENGTH AND BEAUTY OF ATTRACTION. Here is found an attraction mightier than the magnet: it is not a law which acts upon matter, but a life which acts upon mind; a life which enlightens our darkness, quickens the conscience, sways the will, gives hope to the heart, bounding pleasure to the affections. II. THE STRENGTH AND BEAUTY OF AN UNFLINCHING PURPOSE — to reign, to save, to judge (vers. 2, 10). This golden chain has never been broken, never been damaged, never been seen, by the enemy. "The secret of the Lord is with them that fear Him," etc. III. THE STRENGTH AND BEAUTY OF A PERFECT ORGANIZATION. It does not grow old; it is a stranger to decay; there is no friction, no loss of power. It is sublimely perfect, and immortal as the years of the Most High. IV. THE STRENGTH AND BEAUTY OF IMPARTED CHARACTER. The true worshipper comes not only to admire, but to imbibe, be assimilated to the Father; justification is imputed, sanctification is imparted; under the robe of righteousness there must be the holy body, and beneath the manners and bearing of the outward man there must be enshrined, enthroned, the Lord and Saviour of the soul (Psalm 100:4). (H. T. Miller.) Had the psalmist set himself to give an "inventory," if I may so say, of the things to he found in God's sanctuary, he would have involved himself in the construction of a very long catalogue. Had he attempted even a somewhat general description, it would have been much the same. For moral impression he does better than either. He passes his eye quickly but reverently round the whole, and feeling that amid all the multiplicity of objects there were two qualities or elements always to be found, sometimes apart, though never far apart, and generally passing into each other and blending together, he seizes upon these as in reality constituting all that was there, and, consequently, all of good that could be anywhere, and thus, with that graphic brevity which is to be found only in Scripture, gives us the whole nature and meaning of religion at a stroke — "Strength and beauty are in His sanctuary." The union of strength and beauty in nature is obvious. Some things, indeed, are distinctively strong, and some are distinctively beautiful, but the strongest things are not without beauty, and the most beautiful things are not without strength. Thus "order" is the all-pervading principle of nature, and as implying security against confusion, collision, and all such things as might lead to these, manifests itself as the very strength of the universe — the invisible cord on which God hangs His material creation. But out of this order comes all the beauty of adaptation, mutual dependence, mutual helpfulness, the succession of seasons — weaving a many-coloured robe for the year — and that felt though hidden harmony which led heathen philosophers to speak of the music of the spheres. So is it also in the sanctuary of home. God "setteth us in families," and in these He has a sanctuary, which is as plainly as any other inscribed with the characteristics of strength and beauty. There is the strong arm to work and the loving heart to feel. But the sanctuary here referred to is different from that of nature and of home. It is God's sanctuary proper — in its first sense, the scene of His worship, of which He has said, "I will place salvation in Zion for Israel My glory" — Zion, so strong that it cannot be moved — the "mountain of the Lord's house"; and yet Zion, so fair that out of it, as "the perfection of beauty," God hath shined. In the further sense, all that belongs to God's redemption-work is included in it. Take the character and teaching of Him who is its "Author and Finisher," Jesus, the Son of God, on whom the execution of the work was laid, and who gave Himself for us that He might redeem us from all iniquity. In Him was the strength of holiness, as a necessity; for He was God, "the brightness of the Father's glory, and the express image of His person." But He was God in human nature and in human relations, and this brought Him within the sphere of human observation, and made His life on the earth the visible image of man in his ideal perfection. The trying and every-varying circumstances in which He was placed served to bring out the strength and beauty alike which were enshrined in this "sanctuary" of God; for the strength of His purity never passed into hardness, and the beauty of His compassion never sank into weakness. He was both a merciful and a faithful High Priest. This example His people must follow. The spirit of Christ must be their spirit too. The strength of holiness must be conspicuous in them; the strength of obedience even unto death; the strength of a firm and resolute will in the direction of all that is true and just. But this must not be without beauty in their case, any more than it was in His: the beauty of tenderness mingling with their fidelity; the beauty of meekness, gentleness, pity, — knowing, like Him, to have compassion on the ignorant and them that are out of the way. And so also with the services of the sanctuary. In these there must be first, and mainly, the strength of truth, in the reading of the Scriptures and the preaching of the pure and simple Gospel of grace and love. Without this, services are a delusion, "clouds without water, carried about of winds, trees whose fruit withereth." And yet they are not to consist entirely in the enunciation of doctrine, but must rise out of that into the beauty of emotional feeling, and find expression in the broken accents of prayer and the uplifted melody of psalms and hymns and songs of praise. In conclusion: this brief sentence might be expanded indefinitely. It passes round and appropriates all that belongs to a religious character and life, and it holds in it many words of counsel and caution. It forbids us to be harsh for the sake of faithfulness, or to be weakly compliant for the sake of tenderness. It takes the two staves of the prophet — Beauty and Bands — and binds them together in the laws and principles of God's house and service, and in the whole character and life of His people, even as they are bound together in the nature of God Himself, and were so wondrously exemplified at every step by Him who achieved our redemption in all the strength of His immaculate holiness, and in all the beauty of His immeasurable love.(A. L. Simpson, D.D.) It is a common observation that the finest and most impressive effects are often produced by the combination of things that are unlike each other. The painter recognizes this principle when he brings his darkest shadows to heighten the effect of his clearest lights, or contrasts the peaceful life of some humble cottage home with the stately magnificence of the stern mountains that surround it. The architect appeals to the same principle when he crowns his columns with beautiful capitals, and relieves the massive masonry of his walls with delicate tracery and forms of sculptured beauty. In such cases two ideas entirely different from each other are brought together. The massive wall and the marble column suggest the thought of strength; while the delicate carvings and the sculptured friezes appeal to the sense of beauty. The thought which lies deep in the artist's mind, and to which he strives to give expression in his work, is that there is a natural alliance between strength and beauty. We see illustrations of this truth in —I. THE WORKS OF GOD. All the strong things in nature are beautiful: all the beautiful things are exhibitions of strength. The dewdrop that glitters on the rose-leaf — we all know the perfection of its beauty; but how little do we understand the mystery of the strength by which that beauty is secured! That little drop of water is composed of elements which are held together by electric forces sufficient to form a flash of lightning that would rend the rocks of the mountain or blast the stoutest oak of the forest. All that mighty thunder of power lies sleeping in the crystal sphere of a tiny dewdrop. Each day is enlarging the sphere of our knowledge of the natural world; and every fresh discovery brings a new gleam of light to kindle up afresh the brilliancy of the illuminated scroll, "Strength and beauty are in His sanctuary." II. THE REVEALED CHARACTER OF GOD. Strength and beauty are before Him — the strength of an infinite majesty, the thunder of an almighty power, the calm serenity of an eternal righteousness. And these, when seen alone, apart from those other attributes of His nature which are their gracious complement, can bring no peace to the troubled conscience or rest to wearied hearts. They can bring us trembling and awe-stricken into that majestic presence; but they know not the secret of transforming the shrinking terror of the criminal and the slave into the holy reverence and the joyous freedom of the son. Strength and beauty — the beauty of tenderness, the graciousness of Divine condescension, the winning aspects of a love that "beareth all things, believeth all things, endureth all things, hopeth all things." III. THE PERSON OF CHRIST. IV. THE VARIOUS REVELATIONS OF DIVINE TRUTH TO THE WORLD, AND THE ORDER OF THEIR SUCCESSION. The law precedes the Gospel: and law is to the Gospel as strength to beauty. We speak and think of the severe aspects of the law, its "shalt" and "shalt not," its stern repressions and its calm, passionate sentences. But it had its softer side, its gracious and tender aspects for those who had the heart and the eye to see them. To men like David it was given to rejoice in the thought that the law has its seat in the bosom of the God of Love. The Ritual of Judaism had deeper meanings for the spiritual worshipper, and its law brought him to Christ. The man who had the clearest vision of the strength and majesty of the law was the man who rejoiced most deeply in the everlasting mercy of the Lord. The law had its prefigurement of the Gospel, just as the Gospel had its undying reminiscence of the law. V. HUMAN CHARACTER. There is danger in opposite directions. Some Christians are content with the strength, and care little for the beauty, of the Christian life. They are stern in their adhesion to principle, careless of the lesser charities of life, apt to be harsh in their condemnation of error and sin. Every one knows their worth, believes in their honesty, would trust implicitly to their integrity. But they do not win love by their gracious bearing, their kind words, their charitable construction of men and things. They have the strength, but they lack something of the beauty of the Christian character. Others are in danger from the opposite tendency. They would sacrifice something of the severity of perfect uprightness to the graces of life. They must have peace at any price. It is the emotional side of religion that has the chief attraction for them. They are in love with the beauty of religion, but they are not good specimens of its strength and steadfastness. The text has a message for each. Strength and beauty. This is the ideal of a complete Christian character. The one is the framework, the other is the covering, of the man of full spiritual stature. In matters of principle, in the sphere of actions that touch the conscience, remember the call for strength. "Be strong in the Lord." But remember the other element, and cultivate the spirit and the practice of "the grace of the Lord Jesus Christ." Give wide interpretation to the prayer of the psalmist," Let the beauty of the Lord our God be upon us." (W. Cameron, D.D.) A subject of never-waning interest to the student of comparative religions is she influence upon the character of a nation in its conception of God. It is sometimes asserted, in somewhat too sweeping a fashion, that a people will be as is its idea of God. In qualification of that proposition it has to be said that not all people hold themselves pledged to the imitation of God. Many, indeed, would argue that such a thought is little short of presumptuous folly. Moreover, even when the imitation of God is regarded as man's chief and proper endeavour, the fact remains that a nation's character is determined not by certain merely traditional and abstract ideas of Deity, but by the quality of its faith in the reality of God. With these qualifications, it may be generally admitted that the character of every people tends to be influenced by the character of its God or gods. It is impossible to maintain that the old popular mythologies of Greece and Rome had no influence upon the common lives of men. The weaknesses, follies, passions, and vices of the immortals became in the nature of a justification for similar failings and excesses among mortals; and it can never have been easy of belief that what is right in God is wrong in man. No doubt it was a favourable maxim of the Stuart dynasty, "Do you not know that I am above the law?"; and apologists were wont to maintain in very old times that gods and goddesses could no more than earthly autocrats be subjected to the laws of ordinary human morality. But example tells when the subtlest casuistry fails; and, save where unbelief has relaxed or destroyed the sanctions of religion, the character of the God it worships tends to impress itself upon the character of the worshipping people; and insensibly, if not of settled aspiration, the nation does tend to an imitation of God. We are on surer ground, however, when we turn from that heterogeneous multitude of people we call a nation to a consideration of the individual life. The stronger a man's faith in God, the more will he realize in his own character those qualities which occupy the largest place in his conception of God. The degree of his imitation of God will be proportionate to the intensity of his belief in God. Now, the psalmist, in this lyrical outburst of adoration, professes to have discovered two qualities which are revealed in combination in the character of God, and which, such is the suggestion, He will Himself communicate to devout, worshipful, and aspiring souls. These two qualities are strength and beauty. Neither quality is of itself uncommon; it is their combination that is so rare. Somehow in this world the strong is not usually the beautiful, and the beautiful is not the strong. We think of the beautiful in Nature as the fragile, the delicate, the evanescent. We think of the strong, and with its massive solidity it is difficult to associate any thought of grace and loveliness. But this psalm was a hymn for the Temple; and if it be true, as we suppose, that there are yet remaining many of the glorious pillars which adorned that magnificent structure, it is conceivable that they suggested to the psalmist's mind this rare combination of qualities. For these pillars of the Temple were of radiant marble, stately and splendid in themselves, and with the added decoration of capitals nobly carved in all manners of exquisite device. And not the pillars alone, but the whole majestic pile itself, was it not the standing witness to the truth that the God whom it represented to men was at once strong and beautiful? For its durability and solidity was only equalled by its magnificence; the strength of its stone by the beauty of its colouring and the glory of its decoration. The architects of that ancient cathedral seem to have derived their ideas from Nature and to have seen that He who laid the enduring foundations of the earth, decorated the world, He made with the gold of the crocus, the crimson of the field-lily, or the blue of the gentian and the harebell; and they built for Him a lane which, like the world He built for them, was strong and beautiful, massive, but full of delicate colour. As was this temple of their God, so was the God of the Temple — in His Divine Being they felt there must be this glorious combination of strength and beauty. If, then, the religious life be the imitation of God, the man of God will manifest to the world a character in which strength and beauty are found in combination.(C. S. Horne, M.A.) It does not admit of question that not only the Hebrew ideal embraced them both, but the creed of ancient art in its noblest era associated the perfection of beauty with the perfection of strength. The sculptor honoured magnificence and majesty in the human frame; he revealed the beauty that lay in limbs that denoted a sense of power. It is only later on that we begin to see ideals contrasting themselves. One painter worships soft loveliness, and his imagination riots in luxuriance of colouring; but another still upholds the ideal of the majestic, and about his work there is a restraint and even austerity. That is how the ideals of Raphael and Michael Angelo perpetually contrast themselves. And the pre-eminence of the latter is just this: that he never wearies of insisting that strength is inseparable from the highest beauty.(C. S. Horne, M. A.) You remember how Mr. Ruskin enforced the truth in his teaching about architecture. In the rudest forms of building, a strong arch was constructed by laying a huge square stone slab across two huge square upright pillars. When it was complete it had certainly the aspect of durability. Plain it was, and ugly, but surely, said the builder, it could not at any rate be stronger. On the contrary, arches did not become strong until they became beautiful. It was only when the curved line of beauty was discovered that the secret of strength was discovered too .... Or, again, you will remember how the old pillars of the ancient temples were made thick and square, and squat and ugly. But then came the discovery that you did not detract from strength if you built a more tapering pillar and adorned it with carved capitals, or fluted it from base to summit. There is no antagonism between strength and beauty. This psalmist is in agreement with the thought of the apostle who wrote, "I will make thee a pillar in the temple of my God."(C. S. Horne, M. A.) Without reverence there is no beauty of manhood; nay, and without love, none, none. I know that to-day men praise the strength of will, of energy, and I have no dispraise for that, until it becomes one of the "idols" of the market-place. Mere strength of will is not by any means always beautiful: it is not seldom hard and brutal. Love is the stronger force when all is said, and love is beautiful. Matthew Arnold's lines contain a haunting truth."I, too, have longed for trenchant force And will, like a dividing spear; Have praised the keen, unscrupulous course Which knows no doubt, which feels no fear. But in the world I learnt what there Thou, too, wilt surely one day prove: That will, that energy, though rare, Are yet far, far less rare than love." (C. S. Horne, M. A.) People PsalmistPlaces JerusalemTopics Ascribe, Families, Glory, Honour, Kindreds, Nations, O, Peoples, StrengthOutline 1. An exhortation to praise God4. for his greatness 8. for his kingdom 11. for his general judgment Dictionary of Bible Themes Psalm 96:1-9 1110 God, present everywhere Library Psalm Xcvi. 1, 2Psalm xcvi. 1, 2. Sing a new song unto the Lord; His mercies, every morning new, His truth and faithfulness record; Give to our God the glory due. God is the Lord; around His throne In heaven, adoring seraphim, And ransom'd saints, ascribe alone All power, might, majesty, to Hiin. On earth His church impregnable, Built on the rock of ages, stands, And yet, against the gates of hell, Shall send salvation through all lands. Thou, by whose word the worlds were made, In wisdom and in goodness framed, … James Montgomery—Sacred Poems and Hymns Letter Xlii to the Illustrious Youth, Geoffrey De Perrone, and his Comrades. Therefore Go On, Saints of God, Boys and Girls... A Letter from Origen to Africanus. Period iii. The Dissolution of the Imperial State Church and the Transition to the Middle Ages: from the Beginning of the Sixth Century to the Latter Part of the Eighth Hiram, the Inspired Artificer Ye Also who have not yet Made this Vow... The First Commandment The Prophet Micah. The History of the Psalter Psalms Links Psalm 96:7 NIVPsalm 96:7 NLT Psalm 96:7 ESV Psalm 96:7 NASB Psalm 96:7 KJV Psalm 96:7 Bible Apps Psalm 96:7 Parallel Psalm 96:7 Biblia Paralela Psalm 96:7 Chinese Bible Psalm 96:7 French Bible Psalm 96:7 German Bible Psalm 96:7 Commentaries Bible Hub |
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