Daniel 3:7

Therefore at that time, when all the people heard the sound of the cornet, flute, harp, sackbut, psaltery, and all kinds of musick, all the people, the nations, and the languages, fell down and worshipped the golden image that Nebuchadnezzar the king had set up.

EXPOSITORY (ENGLISH BIBLE)

Benson Commentary

Daniel 3:7. All the people, &c., fell down and worshipped — And what wonder, considering that all the charms of music were made use of to allure them to a compliance on the one hand, and the terrors of the fiery furnace to frighten them into it on the other? Thus beset with the double temptation of allurement and terror, they all yielded to the will of the idolatrous king. Observe, reader, there is nothing so unreasonable, or sinful, which the careless world will not be drawn to by pleasure, or driven to by pain, and fear of torture and death. By such methods as these, false worship has been set up and maintained in different ages.

Matthew Henry's Concise Commentary

3:1-7 In the height of the image, about thirty yards, probably is included a pedestal, and most likely it was only covered with plates of gold, not a solid mass of that precious metal. Pride and bigotry cause men to require their subjects to follow their religion, whether right or wrong, and when worldly interest allures, and punishment overawes, few refuse. This is easy to the careless, the sensual, and the infidel, who are the greatest number; and most will go their ways. There is nothing so bad which the careless world will not be drawn to by a concert of music, or driven to by a fiery furnace. By such methods, false worship has been set up and maintained.

Barnes' Notes on the Bible

All the people, the nations, and the languages fell down ... - All excepting the Jews. An express exception is made in regard to them in the following verses, and it does not appear that any of them were present on this occasion. It would seem that only the "officers" had been summoned to be present, and it is not improbable that all the rest of the Jewish nation absented themselves.

Jamieson-Fausset-Brown Bible Commentary

7. None of the Jews seem to have been present, except the officers, summoned specially.

Matthew Poole's Commentary

The same methods hath new Babylon followed, in the long slavery of their false catholic church, for the whole world wondered after the beast, and none could make war with him, Revelation 13:3,4,7,8.

Gill's Exposition of the Entire Bible

Therefore at that time,.... Such a severe edict being published, threatening with so terrible a punishment:

when all the people heard the sound of the cornet, flute, harp, sackbut, psaltery, and all kinds of music; not only at Babylon, and that lived near the plain of Dura, but in all places where it was played:

all the people, the nations, and the languages, fell down and worshipped the golden image that Nebuchadnezzar the king had set up; what through love of music, the fear of the furnace, regard to superstition and idolatry, and to the king's command, men of all nations and languages gave it homage and worship.

Geneva Study Bible

Therefore at that time, when all the people heard the sound of the cornet, flute, harp, sackbut, psaltery, and all kinds of musick, all the people, the nations, and the languages, fell down and worshipped the golden image that Nebuchadnezzar the king had set up.

EXEGETICAL (ORIGINAL LANGUAGES)

Cambridge Bible for Schools and Colleges

7. sackbut] trigon.

Pulpit Commentary

Verse 7. - Therefore at that time, when all the people heard the sound of the cornet, flute, harp, sackbut, psaltery, and all kinds of music, all the people, the nations, and the languages, fell down and worshipped the golden image that Nebuchadnezzar the king had set up. The Septuagint renders, "And at that time, when all the nations (Gentiles) heard the sound of the trumpet, the pipe and harp, sackbut and psaltery, and every sound of music, then all the nations (Gentiles), tribes, and tongues, fell down and worshipped the golden image which Nebuchadnezzar the king had set up." The last words, κατέναντυ τουτοῦ evidently belong to the beginning of the next verse. It is possible ἤχου is due to another reading, but may also have been the result of a desire for variation. Theodotion does not differ from the Massoretic text The two Greek versions agree with the Massoretic in omitting συμφωνία. The rendering of the Peshitta is, "In the hour when the nations heard the voice of the horn, and flute, and lyre, (qithra), and harp (kinnor), and pipe (tziphonia), and all kinds of music, all these peoples, nations, and tongues, fell down and worshipped the golden image which Nebuchadnezzar the king had set up" It is to be noted that kinnor, its Shemitic equivalent, here again follows qithra, and that pesanterin is again omitted. Jerome, in opposition to the Massoretic and the Greek versions, inserts symphonia. In regard to the Massoretic text here, as in the fifth verse, we have qathros instead of the qithros of the K'thib; in this, the K'thib agrees, as generally, with the Eastern instead of the Western form the word assumes. Professor Bevan compares the use of כְּדִי here with that in the Palmyrene inscriptions (Vogue 15). Zemara is said by Keil to refer only to song; but Furst, Gesenius, and Wirier apply the word to instrumental music. It may, as a matter of fact, be either; if it be a chorus of voices, it is then equivalent to συμφωνία. This verse simply chronicles the obedience that was at once and unquestioningly rendered to the command of Nebuchadnezzar. The obedience of these Gentiles served to bring out into clearer relief the steadfastness of these Jews, or, what appears to the king and his courtiers, their obstinacy. Not impossibly, their resistance to the king was emphasized by their remaining standing amid the crowd of those prostrate officials. Daniel 3:7

Keil and Delitzsch Biblical Commentary on the Old Testament

Nebuchadnezzar commanded all the chief officers of the kingdom to be present at the solemn dedication of the image. שׁלח, he sent, viz., מלאכים or רצים messengers, 1 Samuel 11:7; 2 Chronicles 30:6, 2 Chronicles 30:10; Esther 3:15. Of the great officers of state, seven classes are named: - 1. אחשׁדּרפּניּא, i.e., administrators of the Khshatra, in Old Pers. dominion, province, and pâvan in Zend., guardians, watchers, in Greek Σατράπης, the chief representatives of the king in the provinces. 2. סגניּא, Hebr. סגנים, from the Old Pers. (although not proved) akana, to command (see under Daniel 2:48), commanders, probably the military chiefs of the provinces. 3. פּחותא, Hebr. פּחה, פחות, also an Old Pers. word, whose etymon and meaning have not yet been established (see under Haggai 1:1), denotes the presidents of the civil government, the guardians of the country; cf. Haggai 1:1, Haggai 1:14; Nehemiah 5:14, Nehemiah 5:18. 4. אדרגּזריּא, chief judges, from the Sem. גזר, to distinguish, and אדר, dignity (cf. אדרמּלך), properly, chief arbitrators, counsellors of the government. 5. גּדבריּא, a word of Aryan origin, from גּדבר, identical with גּזבּר, masters of the treasury, superintendents of the public treasury. 6. דּתבריּא, the Old Pers. dâta-bara, guardians of the law, lawyers (cf. דּת, law). 7. תּפתּיּא, Semitic, from Arab. fty IV to give a just sentence, thus judges in the narrower sense of the word. Finally, all שׁלטני, rulers, i.e., governors of provinces, prefects, who were subordinate to the chief governor, cf. Daniel 2:48-49.

All these officers were summoned "to come (מתא from אתא, with the rejection of the initial )א to the dedication of the image." The objection of v. Leng. and Hitz., that this call would "put a stop to the government of the country," only shows their ignorance of the departments of the state-government, and by no means makes the narrative doubtful. The affairs of the state did not lie so exclusively in the hands of the presidents of the different branches of the government, as that their temporary absence should cause a suspension of all the affairs of government. חנכּה is used of the dedication of a house (Deuteronomy 20:5) as well as of the temple (1 Kings 8:63; 2 Chronicles 7:5; Ezra 6:16), and here undoubtedly denotes an act connected with religious usages, by means of which the image, when the great officers of the kingdom fell down before it, was solemnly consecrated as the symbol of the world-power and (in the heathen sense) of its divine glory. This act is described (Daniel 3:3-7) in so far as the object contemplated rendered it necessary.

When all the great officers of state were assembled, a herald proclaimed that as soon as the sound of the music was heard, all who were present should, on pain of death by being cast into the fire, fall down before the image and offer homage to it; which they all did as soon as the signal was given. The form קאמין, Daniel 3:3, corresponds to the sing. קאם (Daniel 2:31) as it is written in Syr., but is read קימין. The Masoretes substitute for it in the Talm. The common form קימין; cf. Frst, Lehrgb. der aram. Idiom. p. 161, and Luzzatto, Elem. Gram. p. 33. The expression לקבל, Daniel 3:3, and Ezra 4:16, is founded on קבל, the semi-vowel of the preceding sound being absorbed, as in the Syr. l-kebel. On כּרוזא, herald, and on the form לכון, see under Daniel 2:5. אמרין, they say, for "it is said to you." The expression of the passive by means of a plural form of the active used impersonally, either participially or by 3rd pers. perf. plur., is found in Hebr., but is quite common in Chald.; cf. Ewald, Lehr. d. hebr. Spr. 128, b, and Winer, Chald. Gram. 49, 3. The proclamation of the herald refers not only to the officers who were summoned to the festival, but to all who were present, since besides the officers there was certainly present a great crowd of people from all parts of the kingdom, as M. Geier has rightly remarked, so that the assembly consisted of persons of various races and languages. אמּיּא denotes tribes of people, as the Hebr. אמּה, אמּות Genesis 25:16, denotes the several tribes of Ishmael, and Numbers 25:15 the separate tribes of the Midianites, and is thus not so extensive in its import as עמּין, peoples. לשּׁניּא, corresponding to הלּשׁות, Isaiah 66:18, designates (vide Genesis 10:5, Genesis 10:20, Genesis 10:31) communities of men of the same language, and is not a tautology, since the distinctions of nation and of language are in the course of history frequently found. The placing together of the three words denotes all nations, however they may have widely branched off into tribes with different languages, and expresses the sense that no one in the whole kingdom should be exempted from the command. It is a mode of expression (cf. Daniel 3:7, Daniel 3:29, 31[4:1], and Daniel 6:26[25]) specially characterizing the pathetic style of the herald and the official language of the world-kingdom, which Daniel also (Daniel 5:19; Daniel 7:14) makes use of, and which from the latter passage is transferred to the Apocalypse, and by the union of these passages in Daniel with Isaiah 66:18 is increased to ἔθνη (גּוים in Isa.), φυλλαι,́ λαοὶ καὶ γλῶσσαι (Revelation 5:9; Revelation 7:9; Revelation 13:7; Revelation 14:6; Revelation 17:15).

In the same passage זמנא בּהּ, Daniel 3:7 (cf. also Daniel 3:8), is interchanged with בּעדּנא, at the time (Daniel 3:5 and Daniel 3:15); but it is to be distinguished from בּהּ־שׁעתּא, at the same moment, Daniel 3:6 and Daniel 3:15; for שׁעא or שׁעה has in the Bib. Chald. only the meaning instant, moment, cf. Daniel 4:16, Daniel 4:30; Daniel 5:5, and acquires the signification short time, hour, first in the Targ. and Rabbin. In the enumeration also of the six names of the musical instruments with the addition: and all kinds of music, the pompous language of the world-ruler and of the herald of his power is well expressed. Regarding the Greek names of three of these instruments see p. 507. The great delight of the Babylonians in music and stringed instruments appears from Isaiah 14:11 and Psalm 137:3, and is confirmed by the testimony of Herod. i. 191, and Curtius, Daniel 3:3. קרנא, horn, is the far-sounding tuba of the ancients, the קרן or שׁופר of the Hebr.; see under Joshua 6:5. משׁרוקיתא, from שׁרק, to hiss, to whistle, is the reed-flute, translated by the lxx and Theodot. σύριγξ, the shepherd's or Pan's pipes, which consisted of several reeds of different thicknesses and of different lengths bound together, and, according to a Greek tradition (Pollux, iv. 9, 15), was invented by two Medes. קיתתס (according to the Kethiv; but the Keri and the Targ. and Rabbin. give the form קתרס) is the Greek κιθάρα or κίθαρις, harp, for the Greek ending ις becomes ος in the Aramaic, as in many similar cases; cf. Ges. Thes. p. 1215. סבּכא, corresponding to the Greek σαμβύκη, but a Syrian invention, is, according to Athen. iv. p. 175, a four-stringed instrument, having a sharp, clear tone; cf. Ges. Thes. p. 935. פּסנמּרין (in Daniel 3:7 written with a טinstead of תand in Daniel 3:10 and Daniel 3:15 pointed with a Tsere under the )ת is the Greek ψαλτήριον, of which the Greek ending ιον becomes abbreviated in the Aram. into ין (cf. Ges. Thes. p. 1116). The word has no etymology in the Semitic. It was an instrument like a harp, which according to Augustin (on Psalm 33:2 [Psalm 32:2] and Psalm 43:4 [Psalm 42:4) was distinguished from the cithara in this particular, that while the strings of the cithara passed over the sounding-board, those of the psalterium (or organon) were placed under it. Such harps are found on Egyptian (see Rosellini) and also on Assyrian monuments (cf. Layard, Ninev. and Bab., Table xiii. 4). סוּמפּניה, in Daniel 3:10 סיפניה, is not derived from ספן, contignare, but is the Aramaic form of συμφωνία, bag-pipes, which is called in Italy at the present day sampogna, and derives its Greek name from the accord of two pipes placed in the bag; cf. Ges. Thes. p. 941. זמרא signifies, not "song," but musical playing, from reemaz, to play the strings, ψάλλειν; and because the music of the instrument was accompanied with song, it means also the song accompanying the music. The explanation of זמרא by singing stands here in opposition to the זני כּל, since all sorts of songs could only be sung after one another, but the herald speaks of the simultaneous rise of the sound. The limiting of the word also to the playing on a stringed instrument does not fit the context, inasmuch as wind instruments are also named. Plainly in the words זמרא זני כּל all the other instruments not particularly named are comprehended, so that זמרא is to be understood generally of playing on musical instruments. בּהּ־שׁעתּא, in the same instant. The frequent pleonastic use in the later Aramaic of the union of the preposition with a suffix anticipating the following noun, whereby the preposition is frequently repeated before the noun, as e.g., בּדּניּאל בּהּ, Daniel 5:12, cf. Daniel 5:30, has in the Bibl. Chald. generally a certain emphasis, for the pronominal suffix is manifestly used demonstratively, in the sense even this, even that.

Homage was commanded to be shown to the image under the pain of death to those who refused. Since "the dominion of Nebuchadnezzar was founded not by right, but by the might of conquest" (Klief.), and the homage which he commanded to be shown to the image was regarded not only as a proof of subjection under the power of the king, but comprehended in it also the recognition of his gods as the gods of the kingdom, instances of refusal were to be expected. In the demand of the king there was certainly a kind of religious oppression, but by no means, as Bleek, v. Leng., and other critics maintain, a religious persecution, as among heathen rulers Antiochus Epiphanes practised it. For so tolerant was heathenism, that it recognised the gods of the different nations; but all heathen kings required that the nations subdued by them should also recognise the gods of their kingdom, which they held to be more powerful than were the gods of the vanquished nations. A refusal to yield homage to the gods of the kingdom they regarded as an act of hostility against the kingdom and its monarch, while every one might at the same time honour his own national god. This acknowledgement, that the gods of the kingdom were the more powerful, every heathen could grant; and thus Nebuchadnezzar demanded nothing in a religious point of view which every one of his subjects could not yield. To him, therefore, the refusal of the Jews could not but appear as opposition to the greatness of his kingdom. But the Jews, or Israelites, could not do homage to the gods of Nebuchadnezzar without rejecting their faith that Jehovah alone was God, and that besides Him there were no gods. Therefore Nebuchadnezzar practised towards them, without, from his polytheistic standpoint, designing it, an intolerable religious coercion, which, whoever, is fundamentally different from the persecution of Judaism by Antiochus Epiphanes, who forbade the Jews on pain of death to serve their God, and endeavoured utterly to destroy the Jewish religion. - Regarding the structure of the fiery furnace, see under Daniel 3:22.