Ezekiel 40:3
So He took me there, and I saw a man whose appearance was like bronze. He was standing in the gateway with a linen cord and a measuring rod in his hand.
So He took me there
This phrase indicates divine guidance, as Ezekiel is led by a heavenly being to a specific location. This reflects the prophetic tradition where God often directs His prophets to particular places to reveal His plans (e.g., Jeremiah 18:1-2). The "He" refers to the divine messenger or the Spirit of God, emphasizing the importance of the vision and the authority behind it.

and I saw a man whose appearance was like bronze
The "man" is often interpreted as an angelic figure or a theophany, a manifestation of God. The description "like bronze" suggests strength, purity, and divine glory, similar to the description of heavenly beings in other scriptures (e.g., Daniel 10:6, Revelation 1:15). Bronze, being a durable metal, symbolizes judgment and righteousness.

He was standing in the gateway
The gateway is significant as it represents access and transition, often symbolizing the entrance to sacred spaces. In the context of Ezekiel's vision, it is part of the temple complex, indicating the importance of the temple as a place of divine presence and worship. Gateways in ancient cities were also places of judgment and decision-making, adding layers of meaning to the vision.

with a linen cord and a measuring rod in his hand
The linen cord and measuring rod are tools for measurement, symbolizing precision, order, and divine standards. Linen is associated with purity and priestly garments (Exodus 28:39-42), suggesting holiness. The act of measuring indicates God's intention to restore and establish His order, as seen in other prophetic visions (e.g., Zechariah 2:1-2, Revelation 11:1). This measuring signifies the preparation for a new temple, pointing to future restoration and fulfillment of God's promises.

Persons / Places / Events
1. Ezekiel
A prophet of God, taken into Babylonian captivity, who receives visions from God about the future of Israel and the restoration of the temple.

2. The Man with the Appearance of Bronze
A divine figure, possibly an angel or a representation of God's presence, tasked with guiding Ezekiel through the vision of the new temple. His appearance signifies strength and purity.

3. The Measuring Rod and Linen Cord
Tools used by the man to measure the temple, symbolizing precision, order, and the divine plan for restoration.

4. The Gateway
The entrance to the visionary temple, representing access to God's presence and the beginning of a new understanding of worship and holiness.

5. The Visionary Temple
A symbolic representation of God's future dwelling place with His people, emphasizing holiness, order, and divine presence.
Teaching Points
Divine Order and Precision
God's plans are precise and intentional. Just as the temple was measured with exactness, our lives should reflect God's order and holiness.

God's Presence and Holiness
The vision of the temple reminds us of the importance of God's presence in our lives and the call to live in holiness, set apart for His purposes.

Hope and Restoration
Ezekiel's vision offers hope for restoration and renewal. In times of despair, we can trust in God's promise to restore and renew His people.

Symbolism of the Temple
The temple serves as a symbol of God's ultimate plan for His people, pointing to the future fulfillment in Christ and the eternal dwelling with God.

Role of Divine Messengers
The man with the appearance of bronze represents God's guidance and revelation. We should be attentive to God's messengers and His Word in our lives.
Bible Study Questions
1. How does the appearance of the man in Ezekiel 40:3 reflect God's attributes, and what can we learn from this about God's nature?

2. In what ways does the measuring of the temple in Ezekiel's vision relate to the concept of divine order in our personal lives?

3. How can the vision of the temple in Ezekiel 40 inspire hope and assurance in God's promises for restoration in our current circumstances?

4. What parallels can you draw between the temple in Ezekiel's vision and the New Jerusalem described in Revelation 21, and how do these visions impact your understanding of God's future plans?

5. How can we apply the symbolism of the temple and the presence of God in our daily walk with Christ, ensuring that our lives reflect His holiness and purpose?
Connections to Other Scriptures
Revelation 21
The measuring of the New Jerusalem by an angel, drawing a parallel to the measuring of the temple in Ezekiel's vision, emphasizing God's perfect plan and the future hope for believers.

Exodus 25-27
The detailed instructions for the construction of the Tabernacle, highlighting God's desire for order and holiness in His dwelling place among His people.

Zechariah 2
The vision of a man with a measuring line, symbolizing God's protection and future expansion of Jerusalem, reflecting themes of restoration and divine presence.
Divine MeasurementW. Clarkson Ezekiel 40:3
MeasurementJ.R. Thomson Ezekiel 40:3
Vision of the New TempleJ.D. Davies Ezekiel 40:1-4
The Measuring ReedW. W. Battershall, D. D.Ezekiel 40:2-3
People
Ezekiel, Levi, Levites, Zadok
Places
Jerusalem
Topics
Appearance, Behold, Brass, Bringeth, Bronze, Cord, Doorway, Flax, Flax-cord, Gate, Gateway, Line, Linen, Measuring, Measuring-reed, Reed, Rod, Standing, Stationed, Stood, Thither, Thread
Dictionary of Bible Themes
Ezekiel 40:3

     4312   bronze
     5392   linen
     5618   measures, linear

Ezekiel 40:1-4

     1431   prophecy, OT methods

Ezekiel 40:1-49

     5207   architecture

Ezekiel 40:2-3

     1466   vision

Ezekiel 40:2-4

     7470   temple, significance

Library
The Parts of the City. Sion. The Upper City: which was on the North Part.
There is one who asserts Jerusalem to stand on seven hills; but whether upon a reason more light, or more obscure, is not easy to say. "The whale showed Jonah (saith he) the Temple of the Lord, as it is said, 'I went down to the bottom of the mountains': whence we learn that Jerusalem was seated upon seven mountains." One may sooner almost prove the thing itself, than approve of his argument. Let him enjoy his argument to himself; we must fetch the situation elsewhere. "The city itself (saith Josephus)
John Lightfoot—From the Talmud and Hebraica

Jesus Tempted in the Wilderness.
^A Matt. IV. 1-11; ^B Mark I. 12, 13; ^C Luke IV. 1-13. ^c 1 And Jesus, full of the Holy Spirit, returned from the Jordan, ^b 12 And straightway the Spirit driveth him forth ^c and ^a 1 Then [Just after his baptism, with the glow of the descended Spirit still upon him, and the commending voice of the Father still ringing in his ears, Jesus is rushed into the suffering of temptation. Thus abrupt and violent are the changes of life. The spiritually exalted may expect these sharp contrasts. After being
J. W. McGarvey—The Four-Fold Gospel

The Millennium in Relation to Israel.
"And it came to pass, that, when the sun went down, and it was dark, behold a smoking furnace, and a burning lamp that passed between those pieces. In that same day the Lord made a covenant with Abram, saying, Unto thy seed have I given this land" (Gen. 15:17, 18). Here the two great periods of Israel's history was made known to Abram in figure. The vision of the smoking furnace and the burning lamp intimated that the history of Abraham's descendants was to be a checkered one. It was a prophecy in
Arthur W. Pink—The Redeemer's Return

The Holy City; Or, the New Jerusalem:
WHEREIN ITS GOODLY LIGHT, WALLS, GATES, ANGELS, AND THE MANNER OF THEIR STANDING, ARE EXPOUNDED: ALSO HER LENGTH AND BREADTH, TOGETHER WITH THE GOLDEN MEASURING-REED EXPLAINED: AND THE GLORY OF ALL UNFOLDED. AS ALSO THE NUMEROUSNESS OF ITS INHABITANTS; AND WHAT THE TREE AND WATER OF LIFE ARE, BY WHICH THEY ARE SUSTAINED. 'Glorious things are spoken of thee, O city of God.'-Psalm 87:3 'And the name of the city from that day shall be, THE LORD IS THERE.'-Ezekiel 48:35 London: Printed in the year 1665
John Bunyan—The Works of John Bunyan Volumes 1-3

Ezekiel
To a modern taste, Ezekiel does not appeal anything like so powerfully as Isaiah or Jeremiah. He has neither the majesty of the one nor the tenderness and passion of the other. There is much in him that is fantastic, and much that is ritualistic. His imaginations border sometimes on the grotesque and sometimes on the mechanical. Yet he is a historical figure of the first importance; it was very largely from him that Judaism received the ecclesiastical impulse by which for centuries it was powerfully
John Edgar McFadyen—Introduction to the Old Testament

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