20From the ground to above the entrance cherubim and palm trees were carved, as well as on the wall of the nave.

      21The doorposts of the nave were square; as for the front of the sanctuary, the appearance of one doorpost was like that of the other. 22The altar was of wood, three cubits high and its length two cubits; its corners, its base and its sides were of wood. And he said to me, “This is the table that is before the LORD.” 23The nave and the sanctuary each had a double door. 24Each of the doors had two leaves, two swinging leaves; two leaves for one door and two leaves for the other. 25Also there were carved on them, on the doors of the nave, cherubim and palm trees like those carved on the walls; and there was a threshold of wood on the front of the porch outside. 26There were latticed windows and palm trees on one side and on the other, on the sides of the porch; thus were the side chambers of the house and the thresholds.

NASB ©1995

American Standard Version
from the ground unto above the door were cherubim and palm-trees made: thus was the wall of the temple.

Douay-Rheims Bible
From the ground even to the upper parts of the gate, were cherubims and palm trees wrought in the wall of the temple.

Darby Bible Translation
From the ground unto above the entry were the cherubim and the palm-trees made, and on the wall of the temple.

English Revised Version
from the ground unto above the door were cherubim and palm trees made: thus was the wall of the temple.

Webster's Bible Translation
From the ground to above the door were cherubim and palm-trees made, and on the wall of the temple.

World English Bible
from the ground to above the door were cherubim and palm trees made: thus was the wall of the temple.

Young's Literal Translation
from the earth unto above the opening are the cherubs and the palm-trees made, and on the wall of the temple.Ezekiel
To a modern taste, Ezekiel does not appeal anything like so powerfully as Isaiah or Jeremiah. He has neither the majesty of the one nor the tenderness and passion of the other. There is much in him that is fantastic, and much that is ritualistic. His imaginations border sometimes on the grotesque and sometimes on the mechanical. Yet he is a historical figure of the first importance; it was very largely from him that Judaism received the ecclesiastical impulse by which for centuries it was powerfully …
John Edgar McFadyen—Introduction to the Old Testament

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