1 Kings 7:35
At the top of each stand was a circular band half a cubit high. The supports and panels were cast as a unit with the top of the stand.
At the top of each stand was a circular band half a cubit high.
This phrase describes the architectural detail of the stands used in Solomon's Temple, which were part of the larger complex of the temple furnishings. The circular band, being half a cubit high, indicates a precise measurement, reflecting the meticulous craftsmanship and divine order associated with the temple's construction. A cubit, an ancient unit of length, was approximately 18 inches, making the band about 9 inches high. This detail underscores the importance of symmetry and proportion in the temple's design, which was intended to reflect the perfection and holiness of God. The circular shape may symbolize eternity and completeness, themes often associated with God's nature. The use of such detailed craftsmanship in the temple furnishings highlights the reverence and dedication to worship in ancient Israel.

The supports and panels were cast as a unit with the top of the stand.
This phrase indicates that the supports and panels were not separate pieces but were cast together with the top of the stand, suggesting a high level of skill in metalworking. This method of casting as a single unit would have required advanced techniques and reflects the technological capabilities of the period. The integration of the supports and panels with the top of the stand signifies unity and strength, which can be seen as a metaphor for the unity and strength of the nation of Israel under Solomon's reign. The casting process itself, involving the melting and molding of metal, can be seen as a type of purification, akin to the refining of faith mentioned in other scriptures (e.g., 1 Peter 1:7). This unity in construction may also symbolize the unity of God's people and the integral role of the temple as the center of worship and community life.

Persons / Places / Events
1. Solomon
The king of Israel who commissioned the building of the temple and his palace, including the intricate designs of the temple furnishings.

2. Hiram (Huram)
A skilled craftsman from Tyre, brought in by Solomon to oversee the construction of the temple's bronze work, including the stands mentioned in this verse.

3. Temple of Solomon
The first temple in Jerusalem, a central place of worship for the Israelites, symbolizing God's presence among His people.

4. Bronze Stands
Part of the temple furnishings, these stands were used to support the basins for washing, showcasing the detailed craftsmanship and the importance of purity in worship.

5. Jerusalem
The city where the temple was built, serving as the spiritual and political center of Israel.
Teaching Points
The Importance of Detail in Worship
The intricate design of the temple furnishings, including the bronze stands, highlights the importance of detail and excellence in our worship and service to God.

Unity in Craftsmanship
The casting of the supports and panels as a unit symbolizes the unity and harmony that should characterize the body of Christ, working together for God's glory.

Purity and Preparation
The stands supported basins for washing, reminding us of the need for spiritual cleansing and preparation before approaching God in worship.

God's Presence and Holiness
The temple and its furnishings were a constant reminder of God's presence and the holiness required to dwell with Him, calling us to live lives set apart for His purposes.

Legacy of Faithful Service
Just as Hiram's craftsmanship left a lasting legacy in the temple, our service to God should aim to leave a legacy of faithfulness and dedication.
Bible Study Questions
1. How does the detailed craftsmanship of the temple furnishings reflect the character of God, and how can this influence our approach to worship today?

2. In what ways can we ensure that our service to God is marked by unity and excellence, as seen in the casting of the supports and panels as a unit?

3. How does the concept of spiritual cleansing, symbolized by the bronze stands and basins, apply to our daily walk with God?

4. What parallels can we draw between the physical temple in Jerusalem and the spiritual temple described in the New Testament, and how does this impact our understanding of holiness?

5. How can we, like Hiram, use our skills and talents to contribute to the building of God's kingdom and leave a lasting legacy of faithfulness?
Connections to Other Scriptures
Exodus 31
This chapter describes Bezalel and Oholiab, craftsmen filled with the Spirit of God to create the tabernacle's furnishings, paralleling Hiram's role in Solomon's temple.

2 Chronicles 4
Provides a parallel account of the temple furnishings, offering additional details about the construction and purpose of the bronze stands.

1 Corinthians 3
Paul speaks of believers as God's temple, drawing a spiritual parallel to the physical temple and its furnishings, emphasizing purity and holiness.
The LotusW. Balgarnie.
People
Boaz, David, Hiram, Huram, Jachin, Naphtali, Pharaoh, Solomon
Places
Hall of Judgment, Hall of Pillars, Hall of the Throne, House of the Forest of Lebanon, Jordan River, Most Holy Place, Succoth, Tyre, Zarethan
Topics
Attached, Band, Base, Borders, Circular, Compass, Cubit, Deep, Elevation, Form, Half, Height, Ledges, Panels, Piece, Round, Spokes, Stand, Stays, Supports, Thereof, Therewith, Vessel
Dictionary of Bible Themes
1 Kings 7:35

     4813   depth

1 Kings 7:13-45

     5272   craftsmen

1 Kings 7:13-50

     4348   mining

1 Kings 7:27-37

     5211   art

1 Kings 7:30-36

     5212   arts and crafts

1 Kings 7:34-37

     5211   art

Library
Gadara
There was a double Gadara. One at the shore of the Mediterranean sea: that was first called Gezer, 1 Kings 9:15. In Josephus, "Simon destroyed the city Gazara, and Joppe, and Jamnia."--And in the Book of the Maccabees, "And he fortified Joppe, which is on the sea, and Gazara, which is on the borders of Azotus." At length, according to the idiom of the Syrian dialect, Zain passed into Daleth; and instead of Gazara, it was called Gadara. Hence Strabo, after the mention of Jamnia, saith, "and there
John Lightfoot—From the Talmud and Hebraica

Hiram, the Inspired Artificer
BY REV. W. J. TOWNSEND, D.D. The Temple of Solomon was the crown of art in the old world. There were temples on a larger scale, and of more massive construction, but the enormous masses of masonry of the oldest nations were not comparable with the artistic grace, the luxurious adornments, and the harmonious proportions of this glorious House of God. David had laid up money and material for the great work, but he was not permitted to carry it out. He was a man of war, and blood-stained hands were
George Milligan—Men of the Bible; Some Lesser-Known

Whether any Preparation and Disposition for Grace is Required on Man's Part?
Objection 1: It would seem that no preparation or disposition for grace is required on man's part, since, as the Apostle says (Rom. 4:4), "To him that worketh, the reward is not reckoned according to grace, but according to debt." Now a man's preparation by free-will can only be through some operation. Hence it would do away with the notion of grace. Objection 2: Further, whoever is going on sinning, is not preparing himself to have grace. But to some who are going on sinning grace is given, as is
Saint Thomas Aquinas—Summa Theologica

A Discourse of the House and Forest of Lebanon
OF THE HOUSE OF THE FOREST OF LEBANON. ADVERTISEMENT BY THE EDITOR. That part of Palestine in which the celebrated mountains of Lebanon are situated, is the border country adjoining Syria, having Sidon for its seaport, and Land, nearly adjoining the city of Damascus, on the north. This metropolitan city of Syria, and capital of the kingdom of Damascus, was strongly fortified; and during the border conflicts it served as a cover to the Assyrian army. Bunyan, with great reason, supposes that, to keep
John Bunyan—The Works of John Bunyan Volumes 1-3

Adam and Zaretan, Joshua 3
I suspect a double error in some maps, while they place these two towns in Perea; much more, while they place them at so little a distance. We do not deny, indeed, that the city Adam was in Perea; but Zaretan was not so. Of Adam is mention, Joshua 3:16; where discourse is had of the cutting-off, or cutting in two, the waters of Jordan, that they might afford a passage to Israel; The waters rose up upon a heap afar off in Adam. For the textual reading "In Adam," the marginal hath "From Adam." You
John Lightfoot—From the Talmud and Hebraica

That the Ruler Should be a Near Neighbour to Every one in Compassion, and Exalted Above all in Contemplation.
The ruler should be a near neighbour to every one in sympathy, and exalted above all in contemplation, so that through the bowels of loving-kindness he may transfer the infirmities of others to himself, and by loftiness of speculation transcend even himself in his aspiration after the invisible; lest either in seeking high things he despise the weak things of his neighbours, or in suiting himself to the weak things of his neighbours he relinquish his aspiration after high things. For hence it is
Leo the Great—Writings of Leo the Great

Kings
The book[1] of Kings is strikingly unlike any modern historical narrative. Its comparative brevity, its curious perspective, and-with some brilliant exceptions--its relative monotony, are obvious to the most cursory perusal, and to understand these things is, in large measure, to understand the book. It covers a period of no less than four centuries. Beginning with the death of David and the accession of Solomon (1 Kings i., ii.) it traverses his reign with considerable fulness (1 Kings iii.-xi.),
John Edgar McFadyen—Introduction to the Old Testament

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