1 Chronicles 16:5
Asaph was the chief, Zechariah was second, then Jeiel, Shemiramoth, Jehiel, Mattithiah, Eliab, Benaiah, Obed-edom, and Jeiel. They were to play the harps and lyres, while Asaph sounded the cymbals
Asaph was the chief
Asaph, a prominent figure in the Levitical choir, is noted as the chief musician. The Hebrew root for "chief" (רֹאשׁ, rosh) implies a position of leadership and authority. Asaph's role underscores the importance of music in worship and the need for skilled leadership in guiding the congregation in praise. Historically, Asaph is recognized as a seer and a psalmist, contributing to the Psalms, which highlights the spiritual depth and prophetic nature of his leadership.

Zechariah was second
Zechariah, meaning "Yahweh remembers," is noted as second in command. This position indicates a structured hierarchy within the Levitical musicians, ensuring order and excellence in worship. The mention of Zechariah emphasizes the collaborative nature of worship, where each role, whether primary or secondary, is vital to the harmonious offering of praise to God.

then Jeiel, Shemiramoth, Jehiel, Mattithiah, Eliab, Benaiah, Obed-edom, and Jeiel
The listing of these names reflects the communal and inclusive nature of worship. Each name carries significance, often reflecting attributes of God or aspects of His relationship with His people. For instance, "Obed-edom" means "servant of Edom," and his inclusion highlights the diversity and unity within the worship community. Historically, Obed-edom is associated with the Ark of the Covenant, symbolizing God's presence and blessing.

They were to play the harps and lyres
The use of "harps and lyres" signifies the rich musical tradition in Israelite worship. These instruments, stringed and capable of producing melodious sounds, were integral in creating an atmosphere of reverence and joy. The Hebrew culture placed a high value on music as a means of expressing devotion and adoration to God, and these instruments were often associated with prophetic ministry and divine inspiration.

while Asaph sounded the cymbals
Asaph's role in sounding the cymbals highlights the dynamic and celebratory aspect of worship. Cymbals, with their loud and resonant sound, were used to mark significant moments in worship, calling the congregation to attention and participation. The Hebrew word for cymbals (צְלָצַל, tselatsal) suggests a clashing sound, symbolizing the power and majesty of God. Asaph's leadership in this role underscores the importance of both order and exuberance in worship, reflecting the glory and holiness of God.

Persons / Places / Events
1. Asaph
A prominent Levite musician and seer, appointed by King David to lead worship. He is known for his role in the temple music and for authoring several Psalms.

2. Zechariah
A Levite musician, second to Asaph, involved in the worship and musical ministry in the tabernacle.

3. Jeiel, Shemiramoth, Jehiel, Mattithiah, Eliab, Benaiah, Obed-edom, and Jeiel
Levite musicians and gatekeepers, each playing a role in the worship service, contributing to the musical accompaniment with harps and lyres.

4. Harps and Lyres
Stringed instruments used in ancient Israelite worship, signifying the importance of music in praising God.

5. Cymbals
Percussion instruments used by Asaph to lead and enhance the worship experience, emphasizing rhythm and celebration.
Teaching Points
The Role of Music in Worship
Music is a vital component of worship, serving as a means to express praise and adoration to God. It unites the congregation and enhances the worship experience.

Leadership in Worship
Asaph's role as chief musician underscores the importance of leadership in worship settings. Effective worship leaders guide the congregation in focusing on God.

Diversity of Gifts
The variety of instruments and roles among the Levites illustrates the diversity of gifts within the body of Christ. Each person has a unique contribution to make in worship.

Preparation and Excellence
The detailed organization of musicians and instruments reflects the need for preparation and excellence in worship. Worship should be intentional and well-prepared.

Continuity of Worship Practices
The use of music in worship has a long-standing tradition, from the Old Testament to the New Testament church, showing the continuity and importance of this practice.
Bible Study Questions
1. How does the role of Asaph and the other musicians in 1 Chronicles 16:5 inform our understanding of leadership in worship today?

2. In what ways can we incorporate the diversity of gifts within our church community to enhance our worship experience?

3. How does the use of music in worship, as seen in 1 Chronicles 16:5, connect to the New Testament teachings on worship, such as in Colossians 3:16?

4. What steps can we take to ensure that our worship is both prepared and Spirit-led, reflecting the balance seen in the organization of the Levite musicians?

5. How can we apply the principles of worship from 1 Chronicles 16:5 to our personal devotional life, ensuring that our praise is heartfelt and sincere?
Connections to Other Scriptures
Psalm 73-83
These Psalms are attributed to Asaph, reflecting his deep spiritual insights and his role as a worship leader.

2 Samuel 6:5
Describes David and all Israel celebrating before the Lord with all kinds of instruments, highlighting the importance of music in worship.

Colossians 3:16
Encourages believers to let the word of Christ dwell richly among them, teaching and admonishing one another with psalms, hymns, and spiritual songs, connecting the Old Testament practice to New Testament worship.
David's Thanksgiving PsalmF. Whitfield 1 Chronicles 16:1-43
Musical Talent Dedicated to GodChurch Worker1 Chronicles 16:4-7
The Meaning of SongT. Carlyle.1 Chronicles 16:4-7
The RecordersSpurgeon, Charles Haddon1 Chronicles 16:4-7
Regular Divine ServiceW. Clarkson 1 Chronicles 16:4-7, 36-43
People
Asaph, Benaiah, David, Eliab, Gibeon, Heman, Hosah, Isaac, Jacob, Jahaziel, Jeduthun, Jehiel, Jeiel, Levites, Mattithiah, Obededom, Shemiramoth, Uzziel, Zadok, Zechariah
Places
Canaan, Gibeon, Jerusalem
Topics
Aloud, Asaph, Benaiah, Benai'ah, Brass, Chief, Corded, Cymbals, Eliab, Eli'ab, Harps, Instruments, Jehiel, Jehi'el, Jeiel, Je-i'el, Loudly, Loud-sounding, Lutes, Lyres, Mattithiah, Mattithi'ah, Music, Musical, Obededom, Obed-edom, O'bed-e'dom, Play, Played, Psalteries, Shemiramoth, Shemi'ramoth, Sounding, Stringed, Uzziel, Zechariah, Zechari'ah
Dictionary of Bible Themes
1 Chronicles 16:5

     5332   harp
     5421   musical instruments

1 Chronicles 16:4-6

     7390   Levites

1 Chronicles 16:5-6

     5400   lyre

Library
Man's Chief End
Q-I: WHAT IS THE CHIEF END OF MAN? A: Man's chief end is to glorify God, and to enjoy him for ever. Here are two ends of life specified. 1: The glorifying of God. 2: The enjoying of God. I. The glorifying of God, I Pet 4:4: That God in all things may be glorified.' The glory of God is a silver thread which must run through all our actions. I Cor 10:01. Whether therefore ye eat or drink, or whatsoever ye do, do all to the glory of God.' Everything works to some end in things natural and artificial;
Thomas Watson—A Body of Divinity

Covenanting a Duty.
The exercise of Covenanting with God is enjoined by Him as the Supreme Moral Governor of all. That his Covenant should be acceded to, by men in every age and condition, is ordained as a law, sanctioned by his high authority,--recorded in his law of perpetual moral obligation on men, as a statute decreed by him, and in virtue of his underived sovereignty, promulgated by his command. "He hath commanded his covenant for ever."[171] The exercise is inculcated according to the will of God, as King and
John Cunningham—The Ordinance of Covenanting

Chronicles
The comparative indifference with which Chronicles is regarded in modern times by all but professional scholars seems to have been shared by the ancient Jewish church. Though written by the same hand as wrote Ezra-Nehemiah, and forming, together with these books, a continuous history of Judah, it is placed after them in the Hebrew Bible, of which it forms the concluding book; and this no doubt points to the fact that it attained canonical distinction later than they. Nor is this unnatural. The book
John Edgar McFadyen—Introduction to the Old Testament

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