1 Chronicles 16:5
Asaph was the chief, Zechariah was second, then Jeiel, Shemiramoth, Jehiel, Mattithiah, Eliab, Benaiah, Obed-edom, and Jeiel. They were to play the harps and lyres, while Asaph sounded the cymbals
Asaph was the chief
Asaph, a prominent Levite musician, was appointed by King David to lead worship. His role as chief indicates his leadership in the musical aspect of temple worship. Asaph is also credited with several Psalms (e.g., Psalms 50, 73-83), highlighting his influence in Israel's worship practices. His leadership reflects the importance of organized worship in Israel's spiritual life.

Zechariah was second
Zechariah's position as second suggests a hierarchical structure in the musical service, emphasizing order and organization in worship. This structure mirrors the broader organization of the Levitical duties as outlined in the Law of Moses, ensuring that worship was conducted with reverence and precision.

then Jeiel, Shemiramoth, Jehiel, Mattithiah, Eliab, Benaiah, Obed-edom, and Jeiel
These names represent a group of skilled Levite musicians. The inclusion of Obed-edom is significant, as he previously housed the Ark of the Covenant (2 Samuel 6:11), indicating his continued association with the Ark and its worship. The diversity of names reflects the collective effort in worship, with each individual contributing to the overall harmony and beauty of the service.

They were to play the harps and lyres
Harps and lyres were stringed instruments commonly used in ancient Israelite worship. Their use in temple music underscores the importance of instrumental music in creating an atmosphere of reverence and joy. This practice is consistent with other biblical references to music in worship, such as in Psalm 150, which calls for various instruments to praise God.

while Asaph sounded the cymbals
Asaph's role in sounding the cymbals highlights the use of percussion in worship, providing rhythm and emphasis. Cymbals were often used to mark significant moments in worship, adding a dynamic element to the musical ensemble. This practice is seen in other biblical contexts, such as in 2 Samuel 6:5, where cymbals are part of the celebration as the Ark is brought to Jerusalem.

Persons / Places / Events
1. Asaph
A prominent Levite musician and seer, appointed by King David to lead worship. He is known for his role in the temple music and for authoring several Psalms.

2. Zechariah
A Levite musician, second to Asaph, involved in the worship and musical ministry in the tabernacle.

3. Jeiel, Shemiramoth, Jehiel, Mattithiah, Eliab, Benaiah, Obed-edom, and Jeiel
Levite musicians and gatekeepers, each playing a role in the worship service, contributing to the musical accompaniment with harps and lyres.

4. Harps and Lyres
Stringed instruments used in ancient Israelite worship, signifying the importance of music in praising God.

5. Cymbals
Percussion instruments used by Asaph to lead and enhance the worship experience, emphasizing rhythm and celebration.
Teaching Points
The Role of Music in Worship
Music is a vital component of worship, serving as a means to express praise and adoration to God. It unites the congregation and enhances the worship experience.

Leadership in Worship
Asaph's role as chief musician underscores the importance of leadership in worship settings. Effective worship leaders guide the congregation in focusing on God.

Diversity of Gifts
The variety of instruments and roles among the Levites illustrates the diversity of gifts within the body of Christ. Each person has a unique contribution to make in worship.

Preparation and Excellence
The detailed organization of musicians and instruments reflects the need for preparation and excellence in worship. Worship should be intentional and well-prepared.

Continuity of Worship Practices
The use of music in worship has a long-standing tradition, from the Old Testament to the New Testament church, showing the continuity and importance of this practice.
Bible Study Questions
1. How does the role of Asaph and the other musicians in 1 Chronicles 16:5 inform our understanding of leadership in worship today?

2. In what ways can we incorporate the diversity of gifts within our church community to enhance our worship experience?

3. How does the use of music in worship, as seen in 1 Chronicles 16:5, connect to the New Testament teachings on worship, such as in Colossians 3:16?

4. What steps can we take to ensure that our worship is both prepared and Spirit-led, reflecting the balance seen in the organization of the Levite musicians?

5. How can we apply the principles of worship from 1 Chronicles 16:5 to our personal devotional life, ensuring that our praise is heartfelt and sincere?
Connections to Other Scriptures
Psalm 73-83
These Psalms are attributed to Asaph, reflecting his deep spiritual insights and his role as a worship leader.

2 Samuel 6:5
Describes David and all Israel celebrating before the Lord with all kinds of instruments, highlighting the importance of music in worship.

Colossians 3:16
Encourages believers to let the word of Christ dwell richly among them, teaching and admonishing one another with psalms, hymns, and spiritual songs, connecting the Old Testament practice to New Testament worship.
David's Thanksgiving PsalmF. Whitfield 1 Chronicles 16:1-43
Musical Talent Dedicated to GodChurch Worker1 Chronicles 16:4-7
The Meaning of SongT. Carlyle.1 Chronicles 16:4-7
The RecordersSpurgeon, Charles Haddon1 Chronicles 16:4-7
Regular Divine ServiceW. Clarkson 1 Chronicles 16:4-7, 36-43
People
Asaph, Benaiah, David, Eliab, Gibeon, Heman, Hosah, Isaac, Jacob, Jahaziel, Jeduthun, Jehiel, Jeiel, Levites, Mattithiah, Obededom, Shemiramoth, Uzziel, Zadok, Zechariah
Places
Canaan, Gibeon, Jerusalem
Topics
Aloud, Asaph, Benaiah, Benai'ah, Brass, Chief, Corded, Cymbals, Eliab, Eli'ab, Harps, Instruments, Jehiel, Jehi'el, Jeiel, Je-i'el, Loudly, Loud-sounding, Lutes, Lyres, Mattithiah, Mattithi'ah, Music, Musical, Obededom, Obed-edom, O'bed-e'dom, Play, Played, Psalteries, Shemiramoth, Shemi'ramoth, Sounding, Stringed, Uzziel, Zechariah, Zechari'ah
Dictionary of Bible Themes
1 Chronicles 16:5

     5332   harp
     5421   musical instruments

1 Chronicles 16:4-6

     7390   Levites

1 Chronicles 16:5-6

     5400   lyre

Library
Man's Chief End
Q-I: WHAT IS THE CHIEF END OF MAN? A: Man's chief end is to glorify God, and to enjoy him for ever. Here are two ends of life specified. 1: The glorifying of God. 2: The enjoying of God. I. The glorifying of God, I Pet 4:4: That God in all things may be glorified.' The glory of God is a silver thread which must run through all our actions. I Cor 10:01. Whether therefore ye eat or drink, or whatsoever ye do, do all to the glory of God.' Everything works to some end in things natural and artificial;
Thomas Watson—A Body of Divinity

Covenanting a Duty.
The exercise of Covenanting with God is enjoined by Him as the Supreme Moral Governor of all. That his Covenant should be acceded to, by men in every age and condition, is ordained as a law, sanctioned by his high authority,--recorded in his law of perpetual moral obligation on men, as a statute decreed by him, and in virtue of his underived sovereignty, promulgated by his command. "He hath commanded his covenant for ever."[171] The exercise is inculcated according to the will of God, as King and
John Cunningham—The Ordinance of Covenanting

Chronicles
The comparative indifference with which Chronicles is regarded in modern times by all but professional scholars seems to have been shared by the ancient Jewish church. Though written by the same hand as wrote Ezra-Nehemiah, and forming, together with these books, a continuous history of Judah, it is placed after them in the Hebrew Bible, of which it forms the concluding book; and this no doubt points to the fact that it attained canonical distinction later than they. Nor is this unnatural. The book
John Edgar McFadyen—Introduction to the Old Testament

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